Euroluce takes place every second year as part of the Salone. Ӧrsjӧ were back in Milan this year with a confident monochrome presentation. Their 2011 collection, first shown in Stockholm in February looked resplendent almost entirely in black and white, with only some flashes of copper and brass as accents.
Crane by Benjamin Hubert, which garnered so much attention in Stockholm, was shown for the first time in black lacquer. A bright yellow finish will make an appearance soon!
The Great White by Claesson Koivisto Rune, designed for the Nobis hotel, made its premiere as part of the collection. Arched brass arms reached from the wall to present their unusual white shades.
CKR's other Nobis design, Baklava was shown in the small and medium table versions, but eagle-eyed observers would have noticed the new floor version on the Vitra stand over in Hall 20.
Joel Karlsson's Butler family looked almost unrecognisable in black and white. For the first time, the rough brass finish was replaced with white and black lacquer finishes, giving Butler an ultra-contemporary edge. It just goes to show that technically advanced products can work in modern and traditional settings, given the right finish.
Jenny Bӓck's Lean family continued to please and the new table version looks like it will be just as popular as it's floor standing big brother.
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